SKU: 21372834001

GLEAN (EN) 2, Winter 2023

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GLEAN (EN) 2, Winter 2023Striking a balance between lightness and seriousness, this Winter Issue offers plenty of in depth reflection as well as a glimpse of what lies around the corner. Guest Editor: Oscar Murillo For each issue, GLEAN invites a Guest Editor to curate a section of the magazine. We interview them and ask them to invite three writers or artists who have influenced their practice (or who otherwise deserve our attention) to take up space in our pages. Oscar

Striking a balance between lightness and seriousness, this Winter Issue offers plenty of in-depth reflection as well as a glimpse of what lies around the corner.

Guest Editor: Oscar Murillo
For each issue, GLEAN invites a Guest Editor to curate a section of the magazine. We interview them and ask them to invite three writers or artists who have influenced their practice (or who otherwise deserve our attention) to take up space in our pages. Oscar Murillo (1986, La Paila, Colombia) lives and works between London, La Paila and (since recently) Brussels. On the occasion of his first solo show at WIELS in Brussels, titled ‘Masses’, which opens in February 2024, we asked him to serve as Guest Editor for our Winter Issue. Murillo asked curator and researcher Renan Laru-an and writer and producer Anna T. Pigott to contribute texts. Artist and writer Rene Matic provided a visual contribution.

Studio Visit: Che Go Eun
Finding an affordable and suitable studio space is perhaps one of the greatest challenges a young artist faces. Not only does there seem to be a shortage of adequate infrastructure in densely populated cities such as Antwerp or Brussels, but the rental prices are also very high. Level Five VZW is an artist cooperative managing several studio spaces in Brussels. Tamara Beheydt visited artist Che Go Eun in her shared studio space at Level Five’s location next to WIELS Contemporary Art Centre.

The Artist’s Library
Each issue, Els Roelandt delves into the personal library of an artist for the Artist’s Library – a column celebrating books and their writers, editors, publishers, designers and readers. For this month’s contribution, she visited Olivia Plender in Stockholm on a dark afternoon in November. The two browsed and discussed Plender’s impressive library, which contains many titles related to plants, feminism and books by and on women who are carrying on the struggle to dismantle patriarchal structures.

Hana Miletic
Having transitioned from a kind of street photography to weaving, Hana Miletic embraces the act of reproduction. Her work with textiles has evolved into an embodied and social practice. Miletic contributed the cover images for this Winter Issue, which are also being printed as a limited GLEAN artist’s edition. María Inés Rodríguez, director of the Walter Leblanc Foundation in Brussels, met up with the artist, who is gearing up for a busy season. Miletic’s work is on view in no fewer than four group shows across Europe and her first solo exhibition in the US will open next spring.

And more
Discover more great content in the Winter Issue, including a conversation between Nairy Baghramian and Hans Urlich Obrist, interviews with Silvia Franseschini and Sorana Munsya and Véronique Clette-Gakuba, and reviews of exhibitions by Tschabalala Self, David Claerbout, Meredith Monk and Dana Schutz. In a personal essay, Michelle Mlati revisits the conceptual underpinnings of the group exhibition she curated, ‘The Forest and Desert School Revisited’, and zooms in on the individual practices of some of the participating artists. And artist duo Denicolai & Provoost briefly introduce the project with which they will represent Belgium at this year’s Venice Biennale. In typical Denicolai & Provoost fashion, they’ve defied the tradition of the individual invitee and will be taking a group of friends and collaborators with them to Venice, assembled under the name Petticoat Government.

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SKU: 21372834001

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I like that it fits my umbrella well, hinges open for easy application and removal, and that it has enough light for us to see our food at night. I do not like that half of the outer lights do not work part of the time until I take out the batteries and swap them around. Fine enough for the price, not worth the hassle of returning.
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Lightweight and easy to use! Love the three light settings.
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Easy to use.
Works well. Light is bright. Our new patio umbrella does not have e a center pole, so the lights get somewhat blocked. But still pretty useful.
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My favorite pimple patches
Style: Bundle, Size: 2 Piece Set
I've tried the competitor Mighty Patches and a couple other pimple patches. These are my favorite because they stay on the best and do the best job of healing/absorbing. The Microcrystal Spot Cover actually hurts a little when you put it on from the little spikes... but I love that because I feel like it's actually doing something! I wish they were a little more affordable.
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Amazon Customer
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Expensive but effective
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This isn’t a miracle cure for acne, but it has proven beneficial for reducing redness and shortening healing time, in part because of how it works and also just as a barrier to prevent picking. Product does what the packaging says it will do. These dots are impressively thin. As the fluid is drawn into the patch, it creates a more pronounced white bump, but it is still thinner than typical extra thin hydrocolloid dressings. If you’re planning to walk around and be seen while wearing acne patches, these are a great option, even if they are expensive. If you’re going to be primarily wearing patches while you sleep and are at a place in your life where you just don’t care how it looks as long as it works, shop around and cut a patch to size from a large (4”x4” or so) hydrocolloid dressing, and it will do the job just as well.
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